Tanna

Tanna (Martin Butler, Bentley Dean, 2015) wr. Martin Butler, John Collee, Bentley Dean, dp Bentley Dean, music Antony Partos; Mungau Dain, Marie Wawa; the Yakel tribe; forbidden relationship; nominated for Best Foreign Language Film 2017 Oscars

Part of the film’s success can be attributed to events that took place long before cameras rolled. Dean and Butler spent seven months living with the Yakel, a tribe whose customs and lifestyle have changed little for centuries. During this time the filmmakers were told of a great love story from the recent past. The result was a screenplay written in close collaboration with the Yakel and performed predominantly by its members. In this and several other respects Tanna shares similarities with Rolf de Heer’s Ten Canoes, which was made in a comparable spirit of cooperation with members of the Ramingining Aboriginal community in Australia. Richard Kuipers, Variety.

Performances from the (untrained) cast are magnetic; if it was a challenge for them to learn how to act in front of a camera, they certainly don’t show it. And while in a narrative sense this ground has been walked many times before, the Yakel people’s passion to tell this story is undoubtedly at the heart of the film’s success. Tanna has a warm, shimmering vitality. Like the trees and the birds, the frame feels alive. Luke Buckmaster, Guardian.

Bentley Dean's cinematography is breathtaking - the saturation of the colours is extraordinary. The film is worth seeing for the visuals alone. The haunting sounds of Lisa Gerrard's distinctive vocalizing is the intoxicating thread with which the narrative holds together - along with Antony Partos' rich score. Louise Keller, urbancinefile.


Garry Gillard | New: 28 October, 2016 | Now: 25 January, 2017