It’s pointless, I suppose, to consider whether a story is idealised or sentimental, or whether acting is exaggerated and not naturalistic, when it is a question of Expressionismus, as in Sunrise: A Song of Two Humans (F.W. Murnau, 1927). Not that the film is German: it was made in Amerika, after Murnau came to Hollywood the year before. It is now regarded as one of the greatest of all films, and indeed, watching the film with a cinematographer’s commentary (which I did for the first fifteen minutes) it is clear that it is bold, experimental, idiosyncratic, stylish. I was bored with the story because the ideology is laid bare in the first half hour, after which there is only further instantiation. And because of the aforesaid melodramatic acting—which I know is not relevant to the value of the film … but it is to my enjoyment of it.

Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

reviews | Garry Gillard | New: 1 March, 2017 | Now: 1 March, 2017