The Wife (Björn Runge, 2017)
Glenn Close, Christian Slater, Max Irons
A wife questions her life choices as she travels to Stockholm with her husband, where he is slated to receive the Nobel Prize for Literature.
No one can do a cold stare like Glenn Close. Throughout her new film, The Wife, Close, in a career-defining and Oscar-worthy performance, often sits just outside the film’s focus; usually to the side of her novelist husband Joe Castleman (played with pure academic arrogance and perfection by Jonathan Pryce), aiming for invisibility but with a piercing glare. Is it resentment? Anger? Both? Erik Anderson.
The final plot turn can be read as a parable for patriarchal politics and the artist’s prestige: when people read novels, they are not merely responding to a text, they are consuming the artist’s prestige and reputation, which is itself a created performance. It is a smart, supremely watchable and entertaining film, and Close gives a wonderful star turn. Peter Bradshaw, The Guardian.
Garry Gillard | New: 17 August, 2018 | Now: 17 August, 2018