Lacey Percival

Lacey Percival had worked in a photographic studio in West Wyalong before coming to Sydney in 1908 to find work as a projectionist. After gaining experience in cinematography with the Australian Film Syndicate, he was offered a contract with the Australian Photo-Play Company and worked there until the company closed down production. He then joined West's Pictures as a newsreel photographer, and when that company joined Australasian Films he remained in charge of its weekly newsreel, Australasian Gazette, as well as photographing numerous scenic novelties, sponsored documentaries and feature films. In 1925 he left Australasian to work as a freelance photographer and in 1927 took a position with Automatic Film Laboratories in Sydney. In 1935 he established his own laboratory, Percival Film Laboratories, which he operated until his retirement in 1948. Pike & Cooper: 16.

Golden West, The (George Young, 1911) prod. Australian Film Syndicate, dp Lacey Percival, 2500 ft. 'A romance of the West Australian [WA] goldfields', featuring 'magnificent scenery' and 'sensational rides', The Golden West was privately screened at the King's Theatre, Sydney, on 27 March 1911

Martyrdom Of Nurse Cavell, The (John Gavin, C. Post Mason, 1916) Australian Famous Feature Company, wr. Agnes Gavin, dp Lacey Percival; Vera Pearce, Harrington Reynolds, C. Post Mason, Percy Walshe, John Gavin, Charles Villiers, George Portus, Roland Stavely, James Martin, Robert Floyd, George Farrell, Ethel Bashford, Clare Stephenson, Nellie Power

His Convict Bride (John Gavin, 1918) aka For the Term of Her Natural Life (initial working title), Australian Famous Feature Company, wr. Agnes Gavin, dp Lacey Percival, titles Syd Nicholls; Ethel Bashford, John Gavin, Charles Villiers, Frank Hawthorne

Cupid Camouflaged (Alfred Rolfe, 1918) Australasian Films, dp Lacey Percival

Five Hundred Pounds Reward (Claude Flemming, 1918) prod. Barry Lupino, Claude Flemming, wr. Claude Flemming, dp Lacey Percival; Claude Flemming, Renee Adoree, John Faulkner, Lorna Ambler, David Edelsten

Desert Gold (Beaumont Smith, 1919) Beaumont Smith's Productions, wr. Beaumont Smith, dp Lacey Percival; stunts; Desert Gold is a horse

Face at the Window, The (Charles Villiers, 1919) D. B. O'Connor Feature Films, prod. D. B. O'Connor , wr. Gertrude Lockwood from play by F. Brooke Warren, dp Lacey Percival; D. B. O'Connor, Agnes Dobson, Claude Turton

Man From Snowy River, The (Beaumont Smith, 1920) Beaumont Smith's Productions, wr. Beaumont Smith from poems by A. B. Paterson, dp Lacey Percival; Cyril Mackay, Stella Southern, Tal Ordell; 61 min.

Robbery Under Arms (Kenneth Brampton, 1920) Pacific Photo Plays, wr. Kenneth Brampton, from the novel by Rolf Boldrewood, dp Lacey Percival; Kenneth Brampton, S. A. Fitzgerald, Ronald Conway, Cliff Pyatt, Roy Redgrave; 5200 ft

Possum Paddock (Charles Villiers, Kate Howarde, 1921) prod. Kate Howarde, from the play by Kate Howarde, dp Lacey Percival; John Cosgrove, James Martin, Leslie Adrien, Jack Kirby

Betrayer, The (Beaumont Smith, 1921) Beaumont Smith's Productions, wr. Beaumont Smith, dp Lacey Percival; Stella Southern (Iwa), Cyril Mackay (Stephen Manners), John Cosgrove (John Barris), Marie D'Alton (Mrs Manners), Mita (Hauraki), Bernice Vere (Eleanor Barris), Maggie Papakura, Herbert Lee, Raymond Hatton, Dunstan Webb; "The settings range widely, from the NZ hot springs and mountain scenery at Rotorua, to the Australian outback, the surf at Coogee, and a fashionable ballroom at Sydney's Wentworth Hotel." (Pike & Cooper)

Dinkum Bloke, The (Raymond Longford, 1923) Longford-Lyell Australian Productions, wr. Raymond Longford, Lottie Lyell, dp Lacey Percival; Arthur Tauchert, Lottie Lyell

Dingo, The (Kenneth Brampton, 1923) British-Australasian Photoplays, wr. Kenneth Brampton, dp Lacey Percival

Prehistoric Hayseeds (Beaumont Smith, 1923) Beaumont Smith's Productions, wr. Beaumont Smith, dp Lacey Percival

Digger Earl, The (Beaumont Smith, 1924) Beaumont Smith's Productions, wr. Beaumont Smith, dp Lacey Percival

Dope (Dunstan Webb, 1924) Australasian Picture Productions, wr. Con Drew, dp Lacey Percival

Joe (Beaumont Smith, 1924) Beaumont Smith's Productions, wr. Beaumont Smith, dp Lacey Percival; Arthur Tauchert, Marie Lorraine

Mystery Of A Hansom Cab, The (Arthur Shirley, 1925) Pyramid Pictures, wr. Arthur Shirley, from novel by Fergus Hume, dp Lacey Percival; Arthur Shirley, Grace Glover, Roland Stavely

Painted Daughters (F. Stuart-Whyte, 1925) Australasian Films, dp Lacey Percival; Marie Lorraine

Adventures of Algy, The (Beaumont Smith, 1925) Beaumont Smith's Productions, wr. prod. Beaumont Smith, dp Lacey Percival; Claude Dampier (Algernon Allison), Bathie Stuart (Kiwi McGill), Eric Harrison

Around The Boree Log (Phil K. Walsh, 1925) Phil K. Walsh Production, wr. Phil K. Walsh based on poems of John O'Brien, dp Lacey Percival; 45 min.

Sealed Room, The (Arthur Shirley, 1926) Pyramid Pictures, wr. Arthur Shirley, dp Lacey Percival; Arthur Shirley, Grace Glover

Tall Timber (Dunstan Webb, 1926) Australasian Films, wr. Dunstan Webb, dp Lacey Percival; Eden Landeryou, Billie Sim

Down Under (Harry Southwell, 1927) Anglo-Australian Films, dp Lacey Percival, Cliff Thomas; Harry Southwell (Walter Nobbage) Nancy Mills

Birth of White Australia (Phil K. Walsh, 1928) Dominion Films, wr. Phil K. Walsh, dp Lacey Percival; investment for the film came from the country town of Young which also seems to have been its principal audience (O'Regan: 346) drama, thriller (Verhoeven)

Kingdom Of Twilight, The (Alexander MacDonald, 1929) aka Tanami; Seven Seas Screen Productions, prod. wr. Alexander MacDonald, dp Lacey Percival; western

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