Adrian Martin, S.O.S.
Stuart Cunningham, The Magnificent Ambersons: deep focus, the long take and psychological representation
Geraldine Bloustien, Jane Campion: memory, motif and music
William D. Routt, L'Evidence
Barrett Hodsdon, The mystique of mise en scene revisited
Adrian Martin, Mise en scene is dead, or The Expressive, The Excessive, The Technical and The Stylish
Leonie Naughton, Germany Pale Mother: screen memories of Nazism
Alain Masson, An architectural promenade
Alain Masson, A sequence from Avanti
John Flaus, Thanks for your heart, Bart
Jodi Brooks, Fascination and the grotesque:
What Ever Happened to Baby Jane?
Edward Colless, The Possessed
Philip Brophy, Read my lips: notes on the writing and speaking of film dialogue
Gabrielle Finnane, Discussing Privilege: an interview with Yvonne Rainer
Raffaele Caputo, Film noir: "You sure you don't see what you hear?"
Tom O'Regan, Too popular by far: on Hollywood's international popularity
Robert Sinnerbrink, The Cook, the Thief, His Wife and Her Lover: a discourse on disgust
Carol Laseur, Australian exploitation film: the politics of bad taste
Felicity Collins, A writer's tale
Tom O'Regan, Of small and large countries
Vijay Mishra, Satyajit Ray (1921-1992)
New: 22 December, 1995 | Now: 18 March, 2015