Pig (Michael Sarnoski, 2021) Nicolas Cage
Not so much a love story as a story about love ... lost.
As a film, it's almost all about one actor.
IMDb page.
Wikipedia page. Excerpt:
On the review aggregator website Rotten Tomatoes, the site's critics consensus reads, "Like the animal itself, Pig defies the hogwash of expectations with a beautiful odyssey of loss and love anchored by Nicolas Cage's affectingly raw performance." On Metacritic, the film has a weighted average score of 82 out of 100, based on 39 critics, indicating "universal acclaim".
Richard Roeper of the Chicago Sun-Times gave the film a score of four out of four stars, writing: "The unpredictable Cage delivers some of his best work in years." Bilge Ebiri of Vulture gave the film a positive review and stated, "As it proceeds, it expands its vision and compassion, even as it de-escalates the tension. It's not about the thing it's about, except that it ultimately is totally about the thing it's about." Richard Whittaker of The Austin Chronicle gave the film four-and-a-half out of five stars and stated, "At a time when so many people are struggling to find something of value in their lives, when people are fleeing jobs, cities, futures they thought they wanted, Cage has crafted a quiet soliloquy about grasping onto something that has meaning." Thelma Adams of AARP Movies for Grownups gave the film 4 out of 5 stars and stated, "Playing oddly against expectations, there's no Cage Rage, no showy violence or operatic monologues, just a simple, moving story of a broken man who lost his pig but, perhaps, has found his way." Johnny Oleksinski of The New York Post gave the film three out of four stars, calling it "[an] undeniably odd, but surprisingly touching drama."
Karen Han of Slate gave the film a positive review and stated, "Pig is a small film with a few big surprises executed very well, and well worth going into as blind as possible." Mike D'Angelo of The A.V. Club gave the film a grade of "A", writing that "There are no plot twists, in the traditional sense, but each successive encounter reveals a new facet that enriches the tale." Carlos Aguilar of TheWrap gave the film a positive review, writing, "Not all the ingredients make sense together, but the product of their intermingling inside the filmmaker's narrative pot render a special concoction." Noel Murray, in his review of the film for the Los Angeles Times, wrote that, "Though its plot follows the same rough outline of a John Wick-style shoot-em-up, Pig is actually a quiet and often melancholy meditation on loss, anchored by a character who wishes he could shake free of the person he used to be." Kristy Puchko, in her review of the film for Pajiba, wrote: "Pig is not only a mesmerizing while meditative drama about love and loss. It is also a powerful reminder that Cage is one of the most talented, most captivating movie stars of our time." Cody Corrall of the Chicago Reader gave the film a positive review and stated, "Even through its various webs of tragedy, relentless ambition, and destruction for capital gain—Pig remarkably and overwhelmingly champions care and kindness." Randy Myers of The Mercury News gave the film three-and-a-half out of four stars and stated, "It is Cage who carries Pig with a measured performance in which his trademark outbursts pierce the soul. He's magnificent."
Jeannette Catsoulis of The New York Times gave the film a positive review, writing that, "While Pig can at times feel engulfed by its own sullenness, there's a rigor to the filmmaking and a surreal beauty to Pat Scola's images that seal our investment in Robin's fate." Matt Zoller Seitz of RogerEbert.com gave the film four out of four stars, and wrote: "What a beguiling, confounding film Pig is. From start to finish, it never moves as you might expect it to." Michael O'Sullivan of The Washington Post also gave the film four out of four stars, writing that "Pig's stock in trade is a kind of visual and narrative poetry, and Sarnoski and Block ply it with the skill and light touch of master chefs." The Guardian's Benjamin Lee gave the film three out of five stars and stated, "It... hints at exciting things to come from Sarnoski, a gifted visual filmmaker, who has assembled a promising, if imperfect, debut." Sheri Linden of The Hollywood Reporter gave the film a positive review, writing: "Whatever the screenplay's stumbles, Cage's contained performance embraces his character's losses and his turning away from the world without the slightest play for sympathy." Chuck Bowen of Slant Magazine gave the film three out of four stars and stated, "Nicolas Cage, in full martyr mode here, seems to get off on the perversity of, well, caging his brand of operatic hysteria." Michael Nordine of Variety gave the film a positive review, concluding that, "As a descent into the apparently high-stakes world of truffle-pig-poaching, Pig is unexpectedly touching; as a showcase for Cage's brilliance, it's a revelation."
Ethan Brehm of SPOILER Magazine named it the best film of the year.
Gary M. Kramer, in a negative review of the film for Salon.com, wrote that "Pig doesn't give viewers much to care about, other than perhaps the title character. Sarnoski's film is undercooked."
Phipps, Keith [date], Age of Cage: Four Decades of Hollywood through one Singular Career, Henry Holt. Review: Dan Piepenbring, 'National treasure: the ecstatic cult of Nicolas Cage', Harper's, 2022.
Garry Gillard | reviews | New: 6 February, 2022 | Now: 21 August, 2022