Tim Burstall

Feature filmography


The Prize (Tim Burstall, 1959) short; shot at Eltham

2000 Weeks (Tim Burstall, 1969) aka Two Thousand Weeks; wrs Tim Burstall, Patrick Ryan; Jeanie Drynan, Mark McManus, Eileen Chapman, David Turnbull, Michael Duffield, Stephen Dattner, Bruce Anderson, Dominic Ryan, Nicholas McCallum, Anne Charleston, Graeme Blundell; writer's isolation: he only has 2000 weeks to achieve something in his life

Stork (Tim Burstall, 1971) prod. Tim Burstall, Bilcock and Copping Film Productions, wr. David Williamson from play The Coming of Stork, dp Robin Copping; Helmut Bakaitis, Graeme Blundell Peter Cummins, Sean McEuan Max Gillies, Dennis Miller, Bruce Spence, Jacki Weaver; Spence won an AFI for this; Melbourne; colour, 35 mm, 90 min.; brief review of DVD release: Michael Adams, Empire, 45, December 2004: 112; three AFIs

Alvin Purple (Tim Burstall, 1973) colour, 97 min., prod. Tim Burstall for Hexagon Productions, wr. Alan Hopgood dp Robin Copping; Abigail, Graeme Blundell, Sally Conabere, Noel Ferrier, Jon Finlayson, Alan Finney, Jill Forster, Penne Hackforth-Jones, Dina Mann, Kris McQuade, Dennis Miller, Debbie Nankervis, Anne Pendlebury, Jacki Weaver, Elli McClure, Jenny Hagen; comedy; brief review of DVD release: Matt Coyte, Empire, 42, September 2004: 117

Libido (John B. Murray, Tim Burstall, Fred Schepisi, David Baker, 1973) colour, 35 mm., 118 min., prod. Christopher Muir, John B. Murray for Producers and Directors Guild of Australia; The Husband, dir. John B. Murray, wr. Craig McGregor, dp Eric Lomas; Mark Albiston, Elke Neidhardt, Bryon Williams; The Child, dir. Tim Burstall, wr. Hal Porter, dp Robin Copping; Bruce Barry, Jill Forster, Judy Morris, John Williams; The Priest, dir. Fred Schepisi, wr. Thomas Keneally, dp Ian Baker; Arthur Dignam, Penne Hackforth-Jones, Robyn Nevin; The Family Man, dir. David Baker, wr. David Williamson, dp Bruce McNaughton; Suzanne Brady, Max Gillies, Debbie Nankervis, Jack Thompson; Melbourne

Alvin Rides Again (David Bilcock & Robin Copping, 1974) Brisbane, colour, 89 min. prod. Tim Burstall for Hexagon Productions, wr. Alan Hopgood, with Tim Burstall & Alan Finney, dp Robin Copping; Abigail, Briony Behets, Graeme Blundell, Chantal Contouri, Jon Finlayson, Noel Ferrier, Maurie Fields, Alan Finney, Reg Gorman, Penne Hackforth-Jones, Dina Mann, Kris McQuade, Debbie Nankervis, Candy Raymond, Frank Thring, Frank Wilson, Anna-Maria Winchester; comedy; brief review of DVD release: Matt Coyte, Empire, 42, September 2004: 117

Petersen (Tim Burstall, 1974) prod. Tim Burstall for Hexagon Productions, wr. David Williamson, dp Robin Copping, music Peter Best, design Bill Hutchinson, ed. David Bilcock; Jack Thompson, Wendy Hughes, Jacki Weaver, Helen Morse, Arthur Dignam, John Ewart, Charles Tingwell, Christine Amor, Cliff Ellen, Belinda Giblin, Sandy Macgregor, George Mallaby, Dina Mann, Anne Pendlebury, Tim Robertson, Lindsay Smith; Sydney, colour, 35mm, 107 min.

Eliza Fraser (Tim Burstall, 1976) prod. Tim Burstall for Hexagon Productions, David Williamson, dp Robin Copping, design, Leslie Binns, music Bruce Smeaton, ed. Edward McQueen-Mason; John Castle, Noel Ferrier, Martin Harris, Trevor Howard, Bill Hunter, Gerard Kennedy, Serge Lazareff, George Mallaby, Ingrid Mason, Grant Page, Sean Scully, Charles Tingwell, John Waters, Arna-Maria Winchester, Susannah York; colour, 35 mm, 127 min.

End Play (Tim Burstall, 1976) prod. Tim Burstall for Hexagon Productions, wr. Tim Burstall, novel Russell Braddon, dp Robin Copping, design Bill Hutchinson, music Peter Best; George Mallaby, John Waters, Ken Goodlet, Delvene Delaney, Sheila Florance, Belinda Giblin, Kevin Miles, Charles Tingwell; investigative thriller; police investigate two brothers (Waters, Mallaby) about death of hitch-hiker; Melbourne and Sydney, colour, 35mm, 114 min.

High Rolling (Igor Auzins, 1977) prod. Tim Burstall for Hexagon Productions; Joseph Bottoms, Grigor Taylor, Judy Davis (film debut), John Clayton, Wendy Hughes; comedy adventure as two adventurers encounter drug dealers

Last of the Knucklemen, The (Tim Burstall, 1979) wr. Tim Burstall, play John Powers, prod. Tim Burstall, Hexagon Productions, dp Dan Burstall; Gerard Kennedy, Michael Preston, Peter Hehir, Dennis Miller, Michael Caton, Steve Rackman, Michael Duffield, Stephen Bisley (Steve Bisley), Stewart Faichney, Sean Myers, Gerry Duggan, Ross Skiffington, Les James, Tim Robertson, Saviour Summit, Margaret Buza, James Parker, Saltbush, Denise Drysdale, Helen Watts; set in a Central Australian mining camp; shot at Andamooka

Attack Force Z (Tim Burstall, 1982) Eastman colour, 35 mm, 110 min., prod. Lee Robinson for John MacCallum Productions & Central Motion Picture Corporation, wr. Roger Marshall, dp Lin Hung-Chung, music Eric Jupp, design Bernard Hides, ed. David Stiven; John Phillip Law, Mel Gibson, Chris Haywood, Sam Neill, Sylvia Chang, Koo Chuan Hsiang, John Waters; Phillip Noyce was the first director, but fell out with John MacCallum

Duet for Four (Tim Burstall, 1982) aka Partners; prod. Tim Burstall, Tom Burstall, wr. David Williamson, dp Dan Burstall, music Peter Sullivan, design Herbert Pinter, ed. Edward McQueen-Mason; Mike Preston, Gary Day, Wendy Hughes, Diane Cilento, Sigrid Thornton, Michael Pate, Arthur Dignam, Vanessa Lee; midlife crisis comedy; Eastman colour 35mm, 100 min.

Naked Country, The (Tim Burstall, 1985) aka Morris West's The Naked Country; prod. Ross Dimsey for Naked Country Productions, wr. Tim Burstall, Ross Dimsey, from novel by Morris West, dp David Eggby, music Bruce Smeaton, design Philip Warner, ed. Tony Parterson; John Stanton, Rebecca Gilling, Ivar Kants, Tommy Lewis; Charters Tower, Qld; colour, 35mm, 90 min.

Great Expectations: The Untold Story (Tim Burstall, 1986)

Kangaroo (Tim Burstall, 1987) prod. Ross Dimsey for Naked Country Productions, wr. Evan Jones, from novel by D. H. Lawrence, dp Dan Burstall, design Tracy Watt, ed. Edward McOueen-Mason; Judy Davis, Colin Friels, Peter Hehir, Hugh Keays-Byrne, Gerard Kennedy, Julie Nihill, John Walton; from the novel by D. H. Lawrence; Eastman colour, 35mm, widescreen, 120 min.


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