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Dry, The (Robert Connolly, 2020) wr. Harry Cripps, Robert Connolly from novel by Jane Harper, prod. Bruna Papandea, Jodi Matterson, Steve Hutensky; Eric Bana, Genevieve O'Reilly, Keir O'Donnell, John Polson; general release 1Jan21
Federal Agent Aaron Falk returns to his home town after an absence of over twenty years to attend the funeral of his childhood friend, Luke, who allegedly killed his wife and child before taking his own life - a victim of the madness that has ravaged this community after more than a decade of drought. When Falk reluctantly agrees to stay and investigate the crime, he opens up an old wound - the death of 17- year-old Ellie Deacon. Falk begins to suspect these two crimes, separated by decades, are connected. As he struggles to prove not only Luke's innocence but also his own, Falk finds himself pitted against the prejudice towards him and and pent-up rage of a terrified community.
WTF is a 'Federal Agent' in Australia?
Luke Buckmaster: Director Robert Connolly’s adaptation is a very gripping and polished film, commandingly performed and directed, with an airtight sense of tonal cohesiveness – despite lots of, well, air in the frame, derived from countless mid- and long-shots capturing barren exterior locations in a fictitious Australian outback town. Written by Connolly and Harry Cripps, the script – like Harper’s book – hinges on dual mysteries: one concerning the recent and the other a distant past; both involving deaths that were potentially but not necessarily murders. ... Harper’s book was skilfully constructed, but has a bit of an airport novel vibe, particularly towards the end – which, loaded with the inevitable red herrings and reveals, feels a little like a box-ticking exercise. The film remains rock solid throughout: taut, tough and tense, matching wide-open spaces with uncomfortably close drama. The Guardian.
Garry Gillard | New: 19 January, 2021 | Now: 19 January, 2021