Man of Flowers
Man of Flowers (Paul Cox, 1983) prod. Jane Ballantyne, Paul Cox for Flowers International, wr. Paul Cox, Bob Ellis, dp Yuri Sokol, design Asher Bilu, ed. Tim Lewis; Norman Kaye (AFI Best Actor), Alyson Best, Chris Haywood, Sarah Walker, Julia Blake, Bob Ellis, Barry Dickins, Patrick Cook, Victoria Eagger, Werner Herzog; Fuji colour, 35mm, 91 min.
This is the best of the Australian 'art' films, in all the meanings of the term.
Many think Man of Flowers is Cox's best film; it is certainly an extrordinary combination of pain and humour, sex and death, poetry and magic. ... an extrordinary achievement, and shows, once again, just what can be done on a tiny budget when the people involved are both dedicated and talented. ... Outrageous, funny, erotic, sad, 'elegantly kinky' (as film ciritic Molly Haskell described it in Vogue): no wonder Man of Flowers was such a a success. Stratton: 124, 126
I felt my life was changing, and all my childhood memories came to the fore, all the suppresion I'd gone through. I was determined to make this film. I wrote the story in two days, gathered people around me—even my lawyer, who's normally very strict, put money into it. I found an office, put up a sign, connected the phone, and said I was in pre-production: but, actually we had no money at all. Paul Cox, as quoted in Stratton: 124.
New: 29 October, 2012 | Now: 26 June, 2013 | garrygillard[at]gmail.com