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Dean Semler

Where Dead Men Lie (Keith Gow, 1971) from 'screenplay' by Henry Lawson, prod. Gil Brearley, dp John Rhodes, Dean Semler, ed. Rod Adamson; Howie Debney, Anne Haddy, Jerome 'Jock' Levy, Sneider Brown, David Webb, Steven Millikan, Max Cullen (voice), Jack Thompson (voice)

Moving On (Richard Mason, 1974) wr. Anne Brooksbank, Cliff Green; dp Dean Semler; Ewen Solon, Kay Taylor, Ken Shorter, Lyndell Rowe; government-produced feature designed partly to help farmers who faced difficult decisions about their future and partly to encourage urban audiences to be more tolerant of the problems of the rural poor; 57 min.

Let the Balloon Go (Oliver Howes, 1976) prod. Richard Mason for Film Australia, wr. Oliver Howes, Richard Mason and Ivan Southall, from novel by Ivan Southall, dp Dean Semler, design David Copping, music George Dreyfus, ed. Max Lemon, 2AD Phillip Noyce; Robert Bettles, Jan Kingsbury, John Ewart, Ben Gabriel, Ken Goodlet, Ray Barrett, Jan Kingsbury, Nigel Lovell, Charles Metcalfe, Grant Page, Goff Vockler; children's movie about epileptic boy; Sydney, colour, 35mm, 78 min.

Hoodwink (Claude Whatham, 1981) dp Dean Semler; John Hargreaves, Judy Davis, Dennis Miller, Wendy Hughes, Max Cullen, Paul Chubb, Kim Deacon, Michael Caton, Geoffrey Rush; Whatham is English; Hargreaves' character was based on Carl Synnerdahl who pretended to be blind for eighteen months, from the time of his arrest until his subsequent transfer to a minimum security prison; Eastman colour, 35mm, 90 min.

Kitty and the Bagman (Donald Crombie, 1983) prod. Anthony Buckley for Forest Home Films for Adams Packer Film Productions, wr. John Burnie, Phillip Cornford, dp Dean Semler, music Brian May, design Owen Williams, ed. Timothy Wellburn; Liddy Clark, Reg Evans, John Ewart, Val Lehman, Colette Mann, Gerard McGuire, John Stanton; comedy drama set Sydney 1920s, feud between two crime queens; colour, Panavision, 35mm, 98 min.

Undercover (David Stevens, 1983) prod. David Elfick for Palm Beach Pictures, wr. Miranda Downes, dp Dean Semler, design Herbert Pinter, ed. Tim Wellburn; Sandy Gore, Caz Lederman, Michael Paré, Peter Phelps, Genevieve Picot, Andrew Sharp, John Walton; romantic comedy; Berlei story; expert from US arrives to run Oz business; Eastman colour, 35mm, wide-screen, 100 min.

Razorback (Russell Mulcahy, 1984) prod. Jim & Hal McElroy, wr. Everett De Roche, novel Peter Brennan, dp Dean Semler, music Iva Davies; Gregory Harrison, Arkie Whiteley, Bill Kerr, Chris Haywood, David Argue, Judy Morris; horror parody

Mad Max 3: Beyond Thunderdome (Dr George Miller, George Ogilvie, 1985) prod. George Miller, Doug Mitchess, Terry Hayes, wr. Terry Hayes, George Miller, dp Dean Semler, visual design Ed Verraux, design Graham Walker, costume design Norma Moriceau, music Maurice Jarre, sound Roger Savage; Mel Gibson, Tina Turner, Helen Buday, Frank Thring, Bruce Spence; Eastman colour, 70mm, 35mm, 102 min.

Lighthorsemen, The (Simon Wincer, 1987) wr. Ian Jones, dp Dean Semler; the Light Horse in the last great cavalry charge in history, on Beersheba in Palestine; 131 min.

Clean Machine, The (Ken Cameron, 1988) dp Dean Semler; Steve Bisley; Kennedy-Miller telemovie; investigation of (police?) corruption; 120 min.

Bullseye (Carl Schultz, 1989) dp Dean Semler; Paul Goddard, Kathryn Walker, John Wood, Paul Chubb, Bruce Spence, Lynette Curran, John Meillon, Kerry Walker; cattle thieves in Qld head for SA; light entertainment based on actual event of 1860s; working title: Birdsville

Dead Calm (Phillip Noyce, 1989) dp Dean Semler; novel Charles Williams, The Deep; Nicole Kidman, Sam Neill, Billy Zane, George Shevtsov; ending was changed, v. Boland & Bodey, Aussiewood: 122; the villain is an American

Stealth (Rob Cohen, 2005) dp Dean Semler; Josh Lucas; action; shot partly in NSW

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